An icon of Japanese Metabolism, the Nakagin Capsule Tower stood in the Ginza neighborhood of Tokyo from 1972 until it was demolished earlier this year. Conceived by the famed designer Kisho Kurokawa, the building featured two central concrete towers, with 140 individual pods slotted into the main structures. A circular window allowed light into the small modules, which were created with the intention that they could be removed and replaced as needed.
This flexibility was an essential component of Metabolist architecture, which fused the concept of megastructures with organic growth, meaning many of the designs of the period embraced prefabrication for its ability to “regenerate” every few decades. Unfortunately for the Nakagain Capsule Tower, though, structural issues prevented the pods from being easily swapped, and the building fell quickly into a state of disrepair.
Until it was disassembled back in April, the complex served as a beacon of the pre-war movement that began in the 1960s and was one of the few remaining structures of its kind—Kurokawa’s similarly futuristic Capsule Hosue K is still in use in Nagano woods. Today, some of the tower’s capsules are being shipped to museums and institutions or converted into single accommodations, and one company is also working to digitally preserve the building.
Artist Noritaka Minami documented the complex prior to demolition, and his photographs of the facade and residential units are on view this week as part of 1972/Accumulations at MAS Context Reading Room in Chicago. Framing the living quarters from the same angle, the images compare the structural similarities and personal effects of each space. The photos, most of which Minami took between 2010 and 2021, capture a certain intimacy within the austere uniformity and preserve what once was an architectural innovation.
1972/Accumulations runs from September 22 to December 8. See more of the series on Minami’s site.
沒有留言:
張貼留言