11 3月 2023

Old Images With Rephotographed Ones To Create A Mix Of Both

I’ve been taking pictures all my life. My parents bought me my first camera – a Kodak Instamatic – when I was 10 years old. I took pictures of everything: people, places, animals, nature, and inanimate objects. It didn’t matter what, I just loved taking pictures. One of the most exciting things about photography back then was taking rolls of undeveloped film cartridges to the local drugstore and waiting days to see the prints once they were ready. They’d come back freshly delivered in yellow Kodak envelopes with center dividers separating the prints from the negatives. I still have hundreds of them.

It was also a time when I developed a lifelong interest in history. Growing up in Boston, my parents would take me to all the historic Revolutionary War-era sites, where, naturally, I’d take lots of pictures. I was 16 when we moved to Northern Virginia, just across the Potomac River from Washington DC., and I spent the entire first summer there exploring our nation’s capital. Later, during my college years at Virginia Tech, I visited many of the Civil War-era battlefields, such as Gettysburg, Manassas, and Antietam. These places left an indelible mark on me.

 

Chicago, Mercury Train Leaving Chicago 1936 / 2020

Chicago, Mercury Train Leaving Chicago 1936 / 2020

 

Flash forward 50 years.

When I turned 60, preparing to retire from a career in marketing and advertising, I began to think about what I would do next. I had been taking pictures all my life, and by now photography had gone digital. Over the years I acquired some high-end equipment, including a NIKON D850 professional camera and a half dozen top lenses. I also taught myself Photoshop and other photo software programs.

Then one day in 2016 I came across some really old pictures of Chicago, where I have lived for over 20 years. These pictures date back to the late 1800s and early 1900s. I thought it would be interesting to find those locations, take identical pictures a hundred years later, and compare them to the originals. I took a few and looked at them side by side with the originals. I didn’t even know there was a name for this: rephotography – pictures taken of the same place from the same vantage point at two different moments in time.

 

Fire! Chicago Fire Of 1871 / 2021

Fire! Chicago Fire Of 1871 / 2021

 

Boston, Quincy Market 1900 / 2018

Boston, Quincy Market 1900 / 2018

 

As interesting as it was looking at these images side by side, I thought it would be even more interesting to digitally blend them together, creating a single image that was part old and part new. I did a few of them and showed them to my friends. They were blown away. They suggested I show my work at art fairs and festivals. So, I did! But first, I needed a greater body of work.

By 2017 I had created 10 images. I applied to a few art shows in Chicago, and to my complete shock, I was accepted into all of them! Not only that, I won several awards, got a bit of local publicity, and invitations to return the following year. But more importantly, people were buying my photographs!

I began amassing dozens of historical photographs of cities all over the country. I traveled to these cities, found the exact locations, took all the photographs, then went home, created my blended images, and applied them to local art fairs. I called my collection “Time After Time”. By 2018, I was exhibiting at prestigious art festivals in Chicago, Boston, New York, and Washington DC. My booth was packed at every show. No one had ever seen anything like it. Sales were beyond my wildest imagination. I now had a second career – as a fine art photographer!

 

New York, A Bird's Eye View Of New York 1851 / 2020

New York, A Bird's Eye View Of New York 1851 / 2020

 

New Orleans, Canal Street 1907 / 2019

New Orleans, Canal Street 1907 / 2019

 

Now, at the start of 2023, I have created over 500 images across 17 U.S. cities, plus London, England, and Havana, Cuba. I’ve published 7 Time After Time books and have my own art gallery. I’ve been commissioned to create custom pieces for individuals and corporations. Perhaps my biggest honor was a commission to create a series of images of George Washington’s Mount Vernon estate, where my work is featured: at the home of the first President of the United States!

The stories I could tell would fill volumes. The best way to tell them is to answer some of the questions I frequently get asked.

 

London Bridge 1900 / 2022

London Bridge 1900 / 2022

 

Fire! San Francisco Earthquake And Fire Of 1906 / 2022

Fire! San Francisco Earthquake And Fire Of 1906 / 2022

 

How do you do it?

It starts with the right source images. They must be in high resolution, or they won’t enlarge well enough to print. I obtain these images from historical societies, museums, libraries, universities, the Library of Congress, the National Archives, and other institutions. Once I have the source image, I go out, find the exact location, and take my shot, using great care to match the angle, perspective, focal length, and lighting…even waiting for the right time of day so that the shadows align. Shutter speeds and apertures play a role too. I like to say that my work is part science and part art. Science is doing all those things correctly. Art is what creates the final blended image. There’s no right way or wrong way to do it. I just look for the most compelling pieces in each photo and try to create a seamless, believable transition between old and new.

How long does it take to create an image?

It depends on when you start the clock! I spend thousands of hours researching, finding, obtaining, and restoring source images, traveling to different cities, doing the shooting, cataloging everything, and then sitting down to edit. Each picture takes anywhere from 8 to 16 hours of editing. It’s almost funny to call myself a photographer because taking a picture is the least of what I do!

 

Chicago, Graham & Morton Line Docks 1905 / 2019

Chicago, Graham & Morton Line Docks 1905 / 2019

 

Havana Cuba, The Prado Looking North 1901 / 2019

Havana Cuba, The Prado Looking North 1901 / 2019

 

What was your favorite city to shoot?

I like different cities for different reasons. Chicago is my home, so I have a greater selection of images from here than from any other city. New York and Los Angeles are always exciting cities to visit, and I’ve shot in both cities twice. I think my San Francisco set is unique because all the source images were taken in 1906, in the aftermath of the Great San Francisco Earthquake and Fire. My San Francisco collection shows how the city was rebuilt after the fire. New Orleans was a lot of fun too. But there’s so much great food and drink in New Orleans, I had to remember to carve out some time to work!

 

Los Angeles Street North From First Street 1910 / 2021

Los Angeles Street North From First Street 1910 / 2021

 

Houston 1873 / 2022

Houston 1873 / 2022

 

Do you have a favorite image?

With over 500 images to choose from, that’s a tough question. I have some personal favorites for different reasons. In each city, one of my images becomes my signature piece, the one everybody loves. In Chicago, it’s “State Street South Lake Street”; in New York, “Brooklyn Bridge”; in Boston, “Quincy Market”; in London, “Houses of Parliament”. I have other favorites too, because of the history embedded within the photograph. One such piece is “Randolph Street East From Dearborn Street, Chicago”, a piece I created last year. The source image was taken in 1914. On the side of a building, you can see a white sign. It is an advertising sign from Cunard Lines, the famed steamship company promoting the voyages of three of the world’s biggest passenger ships: Aquitania, Mauritania, and Lusitania.

Two years before the picture was taken, on April 15, 1912, Mauritania was sailing out of Liverpool to New York when a transmission came that the Titanic (owned by rival company White Star Lines) had struck an iceberg. Another Cunard ship, Carpathia, also received the transmission. Traveling at full speed, Carpathia reached the scene in less than three hours and was able to rescue 705 people. By the time Mauritania arrived, it was too late. There were no passengers left to rescue. A vigil was held onboard for the victims.

Less than a year after this picture was taken, on May 7, 1915, Lusitania was torpedoed by a German U-boat off the southern coast of Ireland. She sank in 18 minutes, killing 1,198 passengers and crew. Among those killed were 128 Americans. Their deaths created a public outcry and hastened the United States’ entry into WWI. And in a cruel twist of fate, Carpathia was herself sunk by a torpedo fired from a German U-boat on July 17, 1918, just four months before the end of WWI.

So on the side of a building in a rare photograph taken in Chicago in 1914, lies the story of two of the greatest maritime disasters of the 20th century!

 

London, Houses Of Parliament 1890 / 2022

London, Houses Of Parliament 1890 / 2022

 

Boston, Trinity Church 1900 / 2018

Boston, Trinity Church 1900 / 2018

 

What are some other things you’ve done?

I’ve created two other sets of Time After Time images that people like, and so do I! The first is a collection of pictorial maps. Pictorial maps (also known as illustrated maps, panoramic maps, perspective maps, or bird’s-eye view maps) were popular in the mid-19th century. The most well-known was published by Currier & Ives. They employed painters, illustrators, and engravers to produce these incredible works of art.

Pictorial maps show an area as if viewed from above at an oblique angle. They are not generally drawn to scale, though many are accurate enough to be captured in a similar perspective today using aerial photography shot from the same angle. To do that, I used satellite imagery from Landsat and Google Earth to capture a shot from the same angle as the original map. I then blended them together – a combination of 19th-century engraving and 21st-century satellite photography. Pretty cool! I have done over 40 pictorial maps, with more to come.

Lastly, a number of my pieces show scenes containing buildings with neon signs and large windows, street lamps, cars with headlights, and other things that I thought would look interesting at night. So I used a digital technique known as day-to-night conversion and I did a whole series, using my original Time After Time image, and converting it into a nighttime scene. Some people think the nighttime scenes are better than the daytime scenes! You be the judge.

If you’d like to know more, don’t hesitate to get in touch.

 

Chicago, George Streeter And The Reutan 1902 / 2022

Chicago, George Streeter And The Reutan 1902 / 2022

 

Chicago, Arriving From The Suburbs 1907 / 2019

Chicago, Arriving From The Suburbs 1907 / 2019

 

Chicago, Wrigley Field 1939 / 2019

Chicago, Wrigley Field 1939 / 2019

 

New York, Brooklyn Bridge 1899 / 2022

New York, Brooklyn Bridge 1899 / 2022

 

Boston Pictorial Map 1850 / 2021

Boston Pictorial Map 1850 / 2021

 

Chicago, Dearborn Street Bridge 1918 / 2022

Chicago, Dearborn Street Bridge 1918 / 2022

 

Chicago, Shore Drive Lincoln Park 1905 / 2016

Chicago, Shore Drive Lincoln Park 1905 / 2016

 

San Francisco, Van Ness Avenue 1906 / 2018

San Francisco, Van Ness Avenue 1906 / 2018

 

Chicago, Boat House Lincoln Park 1905 / 2018

Chicago, Boat House Lincoln Park 1905 / 2018

 

New York, Plaza Hotel 1900 / 2018

New York, Plaza Hotel 1900 / 2018

 

Baltimore, Pictorial Map 1880 / 2021

Baltimore, Pictorial Map 1880 / 2021

 

Chicago, Looking North From Van Buren Station 1915 / 2019

Chicago, Looking North From Van Buren Station 1915 / 2019

by Mark Hersch

Newly found asteroid has a 'very small chance' of hitting Earth, NASA says

 

Asteroid 2023 DW will make a close approach to Earth on Feb. 14, 2046. NASA and other agencies are closely monitoring the asteroid to learn more about its projected path.

The asteroid 2023 DW was just discovered in late February. But NASA says it's tracking it closely to learn about its orbital path, because the asteroid "has a very small chance of impacting Earth" in 23 years.

The asteroid's diameter is listed at nearly 50 meters — roughly the size of an Olympic swimming pool. It takes 271 days to orbit the sun.

NASA says that, after a new object is first discovered, "it takes several weeks of data to reduce the uncertainties and adequately predict their orbits years into the future."

As for how small the chance of impact is currently estimated to be, NASA puts it at "1 in 560 odds of impact." Put another way, there is only a 0.18% chance of hitting Earth, or a 99.82% chance that the asteroid will streak harmlessly past our planet.

Asteroid 2023 DW currently tops the "Risk List" maintained by the European Space Agency — a roster of 1,450 near-Earth objects "for which a non-zero impact probability has been computed."

Similar-sized objects have hit Earth

Even if the asteroid were to strike our planet, it wouldn't be expected to create a broadly cataclysmic event. Objects of similar size have hit Earth before, including the impact some 50,000 years ago that left the Meteor Crater in modern-day Arizona.

And in 1908, Siberian forestland was devastated in the "Tunguska Event" that tore up 800 square miles of land and blasted 80 million trees, leaving them splayed in a radial pattern.

The science of hazard ratings

There are two impact hazard scales: the Palermo Scale, which specialists use to impart a granular look at the potential risks posed by near-earth-objects, and the older Torino Scale, which uses color codes and a 0-10 rating to communicate possible risks to the public.

NASA explains how the Palermo Scale works:

"For convenience the scale is logarithmic, so, for examples, a Palermo Scale value of -2 indicates that the detected potential impact event is only 1% as likely as a random background event occurring in the intervening years, a value of zero indicates that the single event is just as threatening as the background hazard, and a value of +2 indicates an event that is 100 times more likely than a background impact by an object at least as large before the date of the potential impact in question."

Asteroid 2023 DW is one of only three objects that currently have a Palermo Scale value greater than -3, listed at -2.17 on the ESA's website.

On the Torino Scale, Asteroid 2023 DW is currently the only object with a value of 1 — a designation that applies to a "routine" event in which a near-Earth pass "is predicted that poses no unusual level of danger."

On the scale's color-coded chart, 1 is green. For objects in that category, NASA says, further observations "very likely will lead to re-assignment to Level 0," which represents the "no hazard" zone.


02 3月 2023

宋徽宗被金国俘虏9年,为何还生下了14个孩子?实情让人难以启齿?

 

靖康之耻是宋代朝历史上最大的耻辱。宋徽宗的赵佶和宋钦宗,的赵桓两位皇帝被俘,整个宋王室都受到了的侮辱

许多人称赵佶无能,屈服于金人的侮辱,不敢反抗。的确,赵佶被金人俘虏了9年,不仅从未想过从大宋朝恢复过来,甚至还生下了14个孩子。

而关于为什么赵佶可以在被俘虏的时候,还可以生下14个孩子的问题,宋朝的皇族们都难以启齿,这中间发生过怎样的故事呢。

亡国之君宋徽宗

说起中国,古代的文人帝王,赵佶, 宋徽宗绝对是其中的佼佼者。他的诗虽不及晚唐的李煜,但写得很好。我们今天使用的“瘦身体”是赵佶,宋徽宗的字体

其实赵佶和李煜有关系,据说宋神宗看到李煜,的画像后,赵佶出生了,赵佶被认为是李煜的转世

不仅如此,赵佶继任皇帝的时候,大宋江山已经飘摇欲坠了,赵佶所幸也不管政事了,整日沉浸在文学中,写诗作画练书法好不快活,像极了当年的李煜,被人称为“青楼皇帝”。

更巧合的是,赵佶,和李煜,一样成为了亡国君主。当时,赵佶沉迷于风流韵事,把朝所有重要事件都交给蔡京总理决策。

蔡京是历史上著名的奸臣。在他的指挥下,已经摇摇欲坠的大宋江山越来越没落,而本可以依靠变法来延续宋的一波生机,但他也因为的打压而失败。

从这个时候开始,北宋灭亡只是时间问题。后来,宋朝的朝在攻打辽国的过程中接连失利,朝,和都感觉不妙,于是他轻举妄动,联合攻打辽国和,无异于引狼入室。

果然,辽破后,立即回敬宋,大军直奔

赵佶慌了,他想起了李煜,下定决心绝不能做亡国之君,就马上安排儿子赵桓即位,赵桓也不傻,他也知道大势已去,就试图逃跑。

赵桓可以说是被他的父亲赵佶坑了。他在逃跑的时候被赵佶人惊呆了,带回来了。他在半醒的时候继承了王位。

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赵桓被迫继位以后,首先罢免了奸臣蔡京,率领宋朝军队抗击金人的入侵,可惜的是,赵恒最终听信谗言,想要和金人讲和。

靖康之耻犹未雪

靖康元年,看着金人的军队越来越近,宋朝内部乱成一团,赵佶父子早就慌了神,两人都是软弱且没什么主见的人,只能听从身边的大臣们安排。

这时候,大臣分成了两派,有一大部分人认为应该撤出汴京,逃往别处,两位皇帝还在,总会有翻身的机会的。

这个想法遭到了主战派大臣们的强烈反对,如果皇帝都逃跑了,大宋的江山肯定无药可救了,拼死一搏可能还有机会,如若不敌也总不会背负历史的骂名。

赵桓觉得两派说的话都有道理,犹豫不决,就想找父亲赵佶商量,却发现赵佶早就逃命去了。

赵桓也顾不得什么伦理,对赵佶破口大骂,让人把他接回来,说是共商国事,其实就是想把他拉回来一起垫背。

赵佶虽然灰溜溜地回来了,可以他的能力,确实没有什么用。赵桓思来想去,提出说要和金兵讲和,这话遭到了主战大臣李纲的强烈反对。

李纲认为一旦金人进入汴京,宋朝必定灭亡。然而,赵桓虽然嘴上说着再考虑一下,心里却坚定了讲和的想法,他一挥手罢免了李纲的职位。

而在军队里,士兵们听闻统帅李纲被罢免,也失去了战意,名存实亡,大宋王朝连殊死一搏的机会都没有了。

之后,赵桓亲自出城,来到汴京城外的金军驻地讲和,可如今的北宋在金人看来,已经是待宰的鱼肉,根本就没有任何讲和的必要。

正好皇帝还来了,就干脆俘虏了赵桓,攻进了汴京。北宋的士兵,听闻皇帝被俘虏,早就准备逃跑了,面对鱼贯而入的金人军队,士兵们一哄而散。

在这样的情况之下,金人没有受到任何阻拦,就冲进了宫内,俘虏了宋徽宗赵佶,赵佶也算是和赵桓团聚了。

这一年是靖康二年,宋徽宗、宋钦宗被俘虏,都城汴京被破,北宋灭亡,是华夏民族历史上的一大耻辱,史称靖康之耻。

多年后生下了14个孩子

金人攻破汴京以后,不仅俘虏了两位皇帝,还抓获了朝中的很多大臣,以及后宫中的妃嫔,要让他们进行牵羊礼。

牵羊礼是金人对待俘虏的特殊手段,就是脱光俘虏的衣服,披上羊皮,一丝不挂地被金人牵着走。

据历史记载,当时被迫进行牵羊礼的人,除了两位皇帝以外,还有近3000多人,这无疑是对北宋子民的莫大侮辱。

他们就像被金人驱使着的牲畜一般,更别提宫中的妃嫔们了,她们都是传统的汉室子民,哪里受到过这样的侮辱,赵佶的皇后当晚就自杀了。

而宋徽宗赵佶也好不到哪里去,金人为了侮辱他,赐予他昏德公的名号。赵佶本就沉浸在皇后自杀的悲痛中,伤心欲绝,又受到了这样的奇耻大辱。

自己可是天子啊,不过赵佶很快调整了自己的心态,他抛弃了一切尊严,选择放纵自己。他在金人帐中饮酒作乐,还经常写诗来发泄自己的愤慨情绪,赵佶在金人手下被俘9年,在54岁的时候离世了。

然而,宋徽宗在这9年里,也不是完全没有收获的,他竟然生下了14个孩子,要知道,赵佶可是个俘虏呀,这些孩子都是哪来的。

据史料查证,金人攻占汴京的时候,曾俘虏了大量后宫中的妃嫔,这些妃嫔大多被送到了金军将领的大账中,当然也有一部分被留在了宋徽宗身边,目的是为了让赵佶享乐,安安心心被俘虏。

赵佶早就放纵了自己,整日和妃嫔淫乐,却也只生下5个亲生骨头,剩下的几个孩子,大都是金人和妃嫔们所生的,只是都归到了赵佶名下。

而这14个孩子,也都不被皇室们所承认,毕竟他们也是靖康之耻的一部分,皇室们根本不愿意提起这几个孩子的身份。

靖康之耻,是华夏民族历史上的最大耻辱,罪魁祸首宋徽宗赵佶,将会永远背负历史的骂名。

化妆师模糊了幻想与现实之间的界限

韩国化妆师 Dane Yoon 使用她的脸作为画布,打造令人印象深刻的视错觉。 “我们都生活在一个由我们自己的幻想和主观感知组成的世界中。幻想不是欺骗,而是一个更广泛的概念,”她说。 看看 Dane Yoon 能如何融入周围的现实。